Contemporary Uruguayan Cinemas

Studies in Spanish and Latin American Cinemas, 16 (1), pp. 3-24. https://doi.org/10.1386/slac.16.1.3_1

Autor: 

1. Martin-Jones, David; University of Glasgow https://orcid.org/0000-0003-4115-0550
2. Soledad-Montañez, María; University of London https://orcid.org/0000-0003-4115-0550 
3. Brown, William; University of Roehampton https://orcid.org/0000-0002-9367-6418

Keywords: Uruguayan cinema, national cinema, world cinema, latin american cinema, hermeneutic circle, international film festival circuit, auto-erasure 

Abstract: This introduction to the special issue on Uruguayan Cinema outlines the unifying thematic (of exploring contemporary Uruguayan cinemas) and the manner of exploration (from outside the country looking in, and, from inside looking out – a ‘hermeneutic circle’ [Dabashi 2008. 240]). It also situates the issue with respect to the field of scholarly work on Uruguayan cinema (exploring reasons behind the relative lack of scholarly interest in Uruguayan filmmaking), and Latin American cinema more broadly, before briefly discussing the articles in turn. 

Idioma: inglés. 

Publicación: 2019

Volumen: Studies in Spanish and Latin American Cinemas, 16 (1), pp. 3-24.

Enlace Permanente