Contemporary Uruguayan Cinemas

 

Studies in Spanish & Latin American Cinemas, Vol 16, Issue 1, Mar 2019, p. 3 - 24 http://dx.doi.org/10.1386/slac.16.1.3_1

Autor: 

1. Martin-Jones, David; University of Glasgow; david.martin-jones@glasgow.ac.uk; https://orcid.org/0000-0003-4115-0550 
2. Montañez, María Soledad; University of London; mariasmontanez@gmail.com. 
3. Brown, William; University of Roehampton; william.brown@roehampton.ac.uk; https://orcid.org/0000-0002-9367-6418

Keywords: Uruguayan cinema,  national cinema, world cinema, Latin American cinema, hermeneutic circle, International Film Festival Circuit. 

Abstract: This introduction to the special issue on Uruguayan Cinema outlines the unifying thematic (of exploring contemporary Uruguayan cinemas) and the manner of exploration (from outside the country looking in, and, from inside looking out – a ‘hermeneutic circle’ [Dabashi 2008. 240]). It also situates the issue with respect to the field of scholarly work on Uruguayan cinema (exploring reasons behind the relative lack of scholarly interest in Uruguayan filmmaking), and Latin American cinema more broadly, before briefly discussing the articles in turn. 

Idioma: Inglés. 

Publicación: 01 Marzo de 2019.  

Volumen: Studies in Spanish & Latin American Cinemas, Vol 16, Issue 1, Mar 2019, p. 3 - 24. 

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